AP Art History: San Vitale-- #51

Monday, December 26, 2022

 

Basilica de San Vitale



Bio of the work:

Title: San Vitale
Date: 526-547 CE- Byzantine
Medium: brick, marble, and stone veneer
Location: Ravenna, Italy

Analysis:

    This lovely church, already started by the Goths previously there, is centrally planned with a specific apse and was finished under rule of Justinian. Ironically, although Justinian never visited the church or Ravenna, he and his wife are both depicted in ornate mosaics bordering apse. The true apse mosaic depicts Jesus sitting on a throne flanked by angles, handing a saint a crown, and accepting a small version of the church from the bishop. Justinian is shown just below Jesus, wearing the same robe, surrounded by 12 followers (signifying perhaps the disciples), and holding a loaf of bread (signifying prosperity or maybe the miracles of Jesus). The plan of San Vitale is central with the addition of an apse, a mixture that melds the awe of a central plan but the religious focus of an apse. 



Theodora Mosaic


Justinian Mosaic


Apse Mosaic



AP Tip!!-- The AP loves works such as this because it is a mixture of cultures, a beginning of a style (the Byzantine: with mosaic and pioneering of freedom from Greco-Roman realism), and a wonderful comparison piece to other churches! So it is in your best interest to know it well!!

    

AP Art History: Global Pre-History Overview

Saturday, October 1, 2022

 Welcome to the first of many time period roundups for AP Art History!

GLOBAL PREHISTORY: 30,000-500 BCE

    The 11 works within this content area are split between Paleolithic (old stone age) and Neolithic (new stone age). Below are works from a large section of the world, ranging from cave paintings, the infamous Stonehenge, and multiple interesting sculptures. 

 

The Apollo 11 Stones

Date: 25,500-25,300 BCE 
Medium: Charcoal on stone
Period: Prehistoric

    This artifact was found by German archeologists in 1969 in Nambia. The archeologists were listening to the radio footage of the Apollo 11 mission when excavating. These two fragments of stones were found 3 years apart, then joined after the second was located. The figure is added to the stone with charcoal. 



The Great Hall of the Bulls

Date: 15,000-13,000 BCE 
Medium: Rock painting
Period: Prehistoric

    Located in the intricate caves of Lascaux, these intricate paintings depict not only bulls but also numerous animals layered over each other. This layering indicates that this area was used over time and multiple generations. The height and overall scale of these paintings would have been extremely difficult to paint, needing some kind of scaffolding. These animals are all shown in 'twisted perspective', meaning that their bodies are shown in profile but the horns are shown frontally. 

Camelid Sacrum

Date: 14,000-7,000 BCE
Medium: Bone
Period: Prehistoric

    Created from the sacrum or tailbone of an alpaca related animal, this object is very perplexing. Found in the Valley of Mexico, it is deliberately sculpted and smoothed. Like with all objects created before writing, it is impossible to truly know the reason and significance with which this was sculpted. Many believe it later related to Mayan Canine gods/goddesses. 


Running Horned Woman

Date: 6000-4000 BCE
Medium: Pigment on Rock
Period: Neolithic

    First, it is important to note that the above image is the restored version of this painting. I encourage you to do some research on what the non-reconstructed version is. 
    Found in the Tassili region of Algeria, situated in the Sahara Desert, this rock painting is very interesting. Once again, twisted perspective is used in not only the figure in the foreground but also all of the other characters in the background. The central figure is a very intricate and confusing image, with a horned headdress, traditional dress, and maybe some traditional tattooing. Many believe that she may be a goddess, due to the possible rain cloud near her headdress. 


Beaker with Ibex Motifs

Date: 4200-3500 BCE
Medium: Painted Terra Cotta
Period: Neolithic

    This piece of pottery's most distinctive characteristics are the three registers, all filled with highly stylized animals. The most noticeable register includes an ibex or mountain goat with very decorative horns. All three registers shift these animals into geometric shapes, making this object not only interesting from an archeological perspective but also from an artistic one. The other two registers include a breed of dog and a bird. 


Anthropomorphic Stele

Date: 4th millennium BCE
Medium: Sandstone
Period: Neolithic

    This near-human, low relief sculpture is thought to have perhaps been a funerary marker. The double dagger on the waistband was very characteristic of this period. Over sixty-five of these steles were found. A stele is a singular, large piece of stone or wood, engraved in relief with an image or text of some kind. 


Jade Cong

Date: 3300-2200 BCE
Medium: Jade
Period: Neolithic

    Created in Neolithic China, there were hundreds of these congs found in graves along with bi (disks made from jade). Their purpose is unknown, but archeologists know that they must have been a fairly long standing custom due to their multitude. Jade is a notoriously hard material and during Song China, machines to cut this material had not been created. This means that all sculping was done by abrasion. 


The Ambum Stone

Date: 1500 BCE
Medium: Greywacke
Period: Neolithic

    While being used by Natives of Papua as a ritual object, New Guinea, this sculpture was taken from its place of origin. Its original purpose is again unknown, but many think that perhaps it was used as a mortar and pestle by holding the nose and grinding with the bottom.  


Tlatilco Female Figurine

Date: 1200-900 BCE
Medium: Ceramic
Period: Neolithic

    Found in large quantities in a burial setting, this figure is one of many but has a very interesting defining factor: the two faces. The Tlatilco village was a pre-Columbian culture who settled in the Valley of Mexico. It was the setting of the Aztec Empire 2000 years later. The coloring of this sculpture, hair details, hands, and feet set it apart from its counterparts. As a collective, these figures pose the same question as many pieces of Prehistory art: What were the religious beliefs of this culture? Many scholars point to this sculpture as an emphasis in duality, light and dark, and good and evil. 



Terra Cotta Fragment 

Date: 1000 BCE
Medium: Terra cotta
Period: Neolithic 

    This fragment comes from the Lapita culture in the Philippines. Pacific island culture such as this Filipino one are famous for their symmetric, stylized tattoos. This piece of terra cotta is believed to have been part of a very large design. It includes an anthropomorphic face, geometry, and cross hatching. 


Stonehenge

Date: 2500-1600 BCE
Medium: Sandstone
Period: Neolithic





Zooming In: Charles and Ray Eames

Tuesday, August 9, 2022

 


The Eameses championed the modern design of buildings, furniture, and much more.

Happy 2nd Birthday, Art History: On Display!

Monday, July 11, 2022


    Two years ago I started Art History: On Display. I am truly thankful of all the support that this blog has received.  


    In celebration today, share the blog and Instagram page! If there are people you know who would enjoy reading about art history or who might need help, send them over!




    If you didn't know, this blog also has an Instagram! Link here, and give me a follow if you like. 
 

Museum Musings: The MET Summer 2022

Tuesday, June 28, 2022

     I had the absolute privilege of making a trip to the Metropolitan Museum of Art in New York City! I had a small list of works I wanted to see, and I will share some highlights now below. Mostly due to its being a rainy Monday morning, the MET was packed, but luckily I am a member (got it for my birthday)! I highly recommend, because we got a discount on our merch and all got in free. 


SECOND FLOOR AMERICAN PAINTING



Young Mother Sewing by Mary Cassatt


    Our journey began on the second floor in the American paintings. I love Mary Cassatt and have studied her work before. Her Zooming In is linked here. I not only love her subject matter, but the way she presents these scenes in such a tender way.


Madame X by John Singer Sargent


    I have already expressed my love for this painting and its story before. Aside from the history behind the painting, John Singer Sargent may be my favorite American artist. Zooming In linked here. From the post: 'This is the portrait of Madame Pierre Gautreau painted by John Singer Sargent. It caused quite the commotion in  19th century Paris. Madame Pierre Gautreau was famed in the Parisian society for her stunning beauty and porcelain- pale skin. The original painting depicted the woman with the strap of her dress falling off of her right shoulder. This was so poorly received by the Salon, where it debuted, that Sargent repainted this part of the portrait. Unfortunately the damage was done, so he moved from the city.'


SECOND FLOOR AMERICAN PAINTING




The Harvesters by Pieter Bruegel the Elder


    Pieter Bruegel the Elder was a Northern Renaissance painter. Much like the rest of his work, The Harvesters depicts a quaint, domestic scenes in immense detail. Bruegel draws the eye to the foreground and through his rows of wheat, but he does not sacrifice detail in the background.


Esther before Ahasuerus by Artemisia Gentileschi


    Artemisia Gentileschi has gotten her share of fame in the last years in the art community. This was my first time seeing her work in person, and I was amazed. I loved the intricate detail and emotion of her work.




Love Letter by Jean Honoré Fragonard 


    I have recently been enjoying the Rococo. Post on the Rococo linked. The MET had a very good collection of Fragonard and Rococo as a whole! I love this painting due to the expression on the figure's face. She is mysterious, but also joyous due to her potential love. 

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