Art History Terms To Know: Canon of Proportions and Contrapposto

Sunday, January 31, 2021

     The canon of proportions is the  calculation of the proportions of a human being. 

Many civilizations used these in their sculpture to make the human figure look as ideal as possible. Ancient Egyptian, Archaic, Hellenistic, and many more civilizations applied the canon of proportions to their art. For example, most artists had graphs and drawings of their proportions before beginning a work. 



    Contrapposto is a common pose used in these types of sculptures also. 

Most commonly the figure is one of power, as shown above, Augustus of Primaporta, and has one weight-baring leg and the other is relaxed.  Contrapposto was very common among Ancient Egyptian, Archaic, Hellenistic, and many more civilizations' sculpture. 

Zooming In: Meret Oppenheim

Monday, January 25, 2021




Art History Terms to Know: Reliquary

Sunday, January 24, 2021


        A reliquary is a collection of holy objects and is used for personal worshiping.

Most famously used and produced in the Renaissance and Medieval times, reliquaries were not only useful in  religious practice, but were also a big art form of the time. A reliquary consists of small sculptures or engravings of saints or gods and other small objects that could be used for worship.  The majority of reliquaries were Catholic, but a small number were actually Buddhist. 


Art Movements: Egyptian Temple Sculpture

Saturday, January 23, 2021

    Throughout the Egyptian Empire, art was a very important part of the religious life an Egyptian. Sculpture was the main medium of Egyptian religious art. High relief, low relief, and freestanding sculpture were very popular types of sculpture and were also used together.



    This first and probably most common type of sculpture in Egyptian religious art is low or sunken relief. Low relief sculpture is mostly seen in tombs. They are used to inscribe things with hieroglyphics and  small figures acting out these scenes. Seen above, Pharaoh Akhenaten (center) and his family worshiping the Aten. Sometimes, low relief sculpture was also used alongside other types of sculpture. For example, sometimes a freestanding sculpture had low relief carvings on the side with explanations. 



    The much less popular high relief sculpture was also used in religious life in ancient Egypt. High relief sculpture is more pronounced out from the original backing stone. This high relief sculpture of Cleopatra is one of the best examples of this type of sculpture. Cleopatra comes out of the stone more than that of low relief. 


    Freestanding sculpture was almost always of royal figure, and because Ancient Egyptian royalty were believed to be divine figures than they were also considered religious. The majority of royal statuary were found in temples or tombs. Ancient Egyptians believed that their royalty were divine figures and were also gods. Offerings were made to these sculptures. 



    Much like at the temple Abu Simbel, above, in many depictions of pharaohs and their families in sculptures, the pharaoh is much larger than all the others. Abu Simbel was a temple to Rameses II and Nefertari. This is just one example of this type of depiction. 


DownUnderPharaoh Egyptian art - Cleopatra dressed as the Goddess Isis. Down Under Pharaoh, downunderpharaoh.patternbyetsy.com/listing/882309239/egyptian-art-cleopatra-dressed-as-the. Accessed 22 Jan. 2021.

Strudwick, Helen. The Encyclopedia of Ancient Egypt. New York, Metro Books, 2013



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Zooming In: Lina Bo Bardi

Monday, January 18, 2021


 

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